"Huey Lewis just finished our theme song for us. It is called Pineapple Express, cleverly. Our only input was, we told him we wanted it to sound like his 80s work that we loved so much. And we wanted to have the plot in it. And we wanted to have him say the title as many times as he could. There is a lot of alto sax. It is kind of like that "other" "Back to the Future" Huey Lewis song. Not "Power of Love" but "Back in Time". Yeah."
The chorus lyrics are: "We got trouble, we got to get out of here. I've got you, you've got me. We are as high as we can be. That's all right. How did we get into this mess? Pineapple Express!"
Friday, February 29, 2008
Also, the Lakers are probably the best passing team I have seen since the Sacramento Kings of the early 2000's.
The project, which Apatow will produce, reteams the studio with the duo behind the upcoming comedy Forgetting Sarah Marshall: writer-director Nick Stoller and writer-star Jason Segel.
The story, described as a bawdy, couples comedy, charts the five-year engagement of a man (Segel) and his fiancee, following the ups and downs of their relationship.
Stoller and Segel, who met while working on Apatow's TV series "Undeclared," will write Five-Year Engagement together. Stoller, who made his feature helming debut with "Sarah Marshall," is attached to direct, and Segel is set to star.
Thursday, February 28, 2008
Maybe I love the split screen for the same reasons that everybody else loves sports and reality TV. The thrill of victory (solitary) and the agony of defeat (multiplied)
I find the actors generally boring when it comes to the split screen box… and the DVR shut off before Best Actor so I couldn’t look at the leading men again. Note to self: Always set the DVR to record the program AFTER the Oscars too. How could you forget? They always run over
In Supporting Actor Javier Bardem is the only one with any readable interesting emotion… so I’m not showing the whole box. Plus Jennifer Hudson killed the drama (it’s because she’s not really an actress) by reading the sentence like this
“and the Oscar goes to Jarvier Bardem”
WHERE WAS THE ELIPSIS? There has to be one or you kill the tiny quintupled drama. Jennifer, Jennifer, Jennifer. Do-Over.
“And the Oscar goes to … Javier Bardem”
See what a difference that makes. Make us wait. You have to have the elipsis!
UPDATE: Crap, apparently the link doesn't go directly to the video I wanted it to. On the Conan website, search for the "King of the Demo" Fred Simmons clip.
Wednesday, February 27, 2008
I tried to find a clip to show of Reilly from one of his most underrated roles (and a really underrated movie), What's Eating Gilbert Grape but all I could find were clips from the movie cut together as music videos or trailer mash ups. All I wanted was to hear Tucker Van Dyke describe how wonderful the burger shack is.
Tuesday, February 26, 2008
Anyway, Jackie Earle Haley, Max von Sydow (always good), and Emily Mortimer (who I was a big fan of in Lars and the Real Girl) have been cast in Scorsese's mystery drama Shutter Island. They join a cast that includes Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, and Patricia Clarkson. The story, adapted from Dennis Lehane's 2004 novel, is about a pair of U.S. marshals (DiCaprio and Ruffalo) who travel to a Massachusetts island to investigate the disappearance of a patient from a hospital for the criminally insane. The two get trapped on the island when a hurricane hits and a violent inmate riot breaks out. Williams plays the dead wife who haunts DiCaprio's character. Kingsley is the hospital's enigmatic chief physician who reluctantly hosts to the two marshals. Haley, who earned an Oscar nod last year for his turn as a convicted sex offender in Little Children, will play an inmate at the hospital. Von Sydow will play a doctor at the facility, and Mortimer will play an escaped patient.
Monday, February 25, 2008
Original Song
Glen Hansard:
Thanks! This is amazing. What are we doing here? This is mad. We made this film two years ago. We shot on two Handycams. It took us three weeks to make. We made it for a hundred grand. We never thought we would come into a room like this and be in front of you people. It's been an amazing thing. Thanks for taking this film seriously, all of you. It means a lot to us. Thanks to the Academy, thanks to all the people who've helped us, they know who they are, we don't need to say them. This is amazing. Make art. Make art. Thanks.
Marketa Irglova:
Hi everyone. I just want to thank you so much. This is such a big deal, not only for us, but for all other independent musicians and artists that spend most of their time struggling, and this, the fact that we're standing here tonight, the fact that we're able to hold this, it's just to prove no matter how far out your dreams are, it's possible. And, you know, fair play to those who dare to dream and don't give up. And this song was written from a perspective of hope, and hope at the end of the day connects us all, no matter how different we are. And so thank you so much, who helped us along way. Thank you.
Supporting Actor
Javier Bardem:
Wow. Alright, this is very amazing. It's a great honor for me to have this. I want to& I have to speak fast here, man. Thank you to the Coens for being crazy enough to think that I could do that and put one of the most horrible haircuts in history over my head.
Thank you for really proving my work. I want to share this with the cast, with the great Tommy Lee Jones, with the great Josh Brolin, with the great Kelly MacDonald. And I want to dedicate this to my mother, and I have to say this in Spanish, and I'm sorry...
Mama esto es para ti. Esto es para tus abuelos, para tus padres, Rafael y Matilde. Esto es para los comicos de Espana que han traido la dignidad y el orgullo a nuestro oficio.
Esto es para Espana. Y esto es para todos vosotros.
Thank you very much!
Actor
Daniel Day-Lewis:
And that's the closest I'll ever come to getting a knighthood, so thank you.
My deepest thanks to the members of the Academy for whacking me with the handsomest bludgeon in town. I'm looking at this gorgeous thing you've given me and I'm thinking back to the first devilish whisper of an idea that came to him and everything since and it seems to me that this sprang like a golden sapling out of the mad, beautiful head of Paul Thomas Anderson.
I wish my son and my partner HW Plainview were up here with me, the mighty Dillon Freasier. So many people to thank. One amongst them would be Mrs. Plainview down there, the enchantingly optimistic, open-minded and beautiful Rebecca Miller.
I hope that all those to whom I owe and to whom I feel the deepest gratitude will forgive me if I say just simply, "Thank you, Paul."
I've been thinking a lot about fathers and sons in the course of this, and I'd like to accept this in the memory of my grandfather, Michael Balcon, my father, Cecil Day-Lewis, and my three fine boys, Gabriel, Ronan and Cashel. Thank you very much indeed. Thank you.
Adapted Screenplay
Joel Coen:
Thank you very much for this. Thank you, Scott Rudin for bringing us this novel and giving us the opportunity to make the movie. I think whatever success we've had in this area has been entirely attributable to how selective we are. We've only adapted Homer and Cormac McCarthy, so thank you.
Ethan Coen:
We, uh... Thank you very much.
Directing
Ethan Coen:
I don't have a lot to add to what I said earlier. Thank you.
Joel Coen:
Ethan and I have been making stories with movie cameras since we were kids. In the late '60s when Ethan was 11 or 12, he got a suit and a briefcase and we went to the Minneapolis International Airport with a Super 8 camera and made a movie about shuttle diplomacy called "Henry Kissinger, Man on the Go." And honestly, what we do now doesn't feel that much different from what we were doing then. There are too many people to thank for this. We're really thrilled to have received it, and we're very thankful to all of you out there for letting us continue to play in our corner of the sandbox, so thank you very much.
The video is down. You can head over to Jimmy Kimmel's website to see it. Or just wait a while, I'm sure it will show back up on YouTube.
Best Costume Design: "Elizabeth: The Golden Age"
Best Animated Feature Film: "Ratatouille"
Best Makeup: "La Vie en Rose"
Best Visual Effects: "The Golden Compass"
Best Art Direction: "Sweeney Todd: The Demon Barber of Fleet Street"
Best Supporting Actor: Javier Bardem, "No Country for Old Men"
Best Short Film - Live Action: "The Mozart of Pickpockets"
Best Short Film - Animated: "Peter & the Wolf"
Best Supporting Actress: Tilda Swinton, "Michael Clayton"
Best Adapted Screenplay: "No Country for Old Men"
Best Sound Editing: "The Bourne Ultimatum"
Best Sound Mixing: "The Bourne Ultimatum"
Best Actress: Marion Cotillard, "La Vie en Rose"
Best Film Editing: "The Bourne Ultimatum"
Best Foreign Language Film: "The Counterfeiters"
Best Music - Original Song: "Once"
Best Cinematography: "There Will Be Blood"
Best Music - Original Score: "Atonement"
Best Documentary - Short Subject: "Freeheld"
Best Documentary - Feature: "Taxi to the Dark Side"
Best Original Screenplay: "Juno"
Best Actor: Daniel Day-Lewis, "There Will Be Blood"
Best Director: Ethan Coen, Joel Coen, "No Country for Old Men"
Best Picture: "No Country for Old Men"
Sunday, February 24, 2008
Best Visual Effects
Transformers
Pirates of the Caribbean: At World's End
The Golden Compass
My Pick: Transformers
My Preference: Transformers
Should've Been Nominated: Zodiac
Big robots smashing around down town Los Angeles looks cool.
Best Sound Mixing
Transformers
The Bourne Ultimatum
No Country for Old Men
3:10 to Yuma
Ratatouille
My Pick: Transformers
My Preference: No Country for Old Men
Should've Been Nominated: I'm not even sure what this category means.
The sound in No Country is one of the small things that makes it so great. Virtually no music but just the atmosphere makes it one of the tensest films I have ever seen.
Best Sound Editing
The Bourne Ultimatum
No Country for Old Men
Ratatouille
There Will Be Blood
Transformers
My Pick: Transformers
My Preference: No Country for Old Men
Should've Been Nominated: See above answer.
See above answer.
Best Live-Action Short Film
"At Night"
"Il Supplente" ("The Substitute")
"Les Mozart des Pickpockets" ("The Mozart of Pickpockets")
"Tanghi Argentini"
"The Tonto Woman"
My Pick: "Il Supplente"
My Preference: "Il Supplente"
Should've Been Nominated: Austin & Rivers
I haven't seen any of these, just guessing for the hell of it.
Best Animated Short
"I Met the Walrus"
"Madame Tutli-Putli"
"Meme les Pigeons Vont au Paradis" ("Even Pigeons Go to Heaven")
"My Love" ("Moya Lyubov")
"Peter and the Wolf"
My Pick: "I Met the Walrus"
My Preference: "I Met the Walrus"
Should've Been Nominated: "Lifted"
I saw the trailer for "I Met the Walrus" and that is the most footage I've seen from any of these. I picked "Lifted" because it played in the theater before Ratatouille.
Best Documentary (Short Subject)
"Freeheld"
"La Corona"
"Salim Baba"
"Sari's Mother"
My Pick: "Sari's Mother"
My Preference: No opinion.
Should've Been Nominated: No opinion.
No idea.
Best Makeup
La Vie en Rose
Norbit
Pirates of the Caribbean: At World's End
My Pick: La Vie en Rose
My Preference: Norbit
Should've Been Nominated: Grindhouse
I want to see Norbit win an Oscar to go with its Razzies.
Best Art Direction
American Gangster
Atonement
The Golden Compass
Sweeney Todd
There Will Be Blood
My Pick: There Will Be Blood
My Preference: There Will Be Blood
Should've Been Nominated: The Assassination of Jesse James by the Coward Robert Ford
You never once think while watching There Will Be Blood that you aren't in the early 1900's. Also, give it to Jack Fisk for the work he did in Days of Heaven.
Best Costume Design
Albert Wolsky - Across the Universe
Jacqueline Durran - Atonement
Alexandra Byrne - Elizabeth: The Golden Age
Marit Allen - La Vie en Rose
Colleen Atwood - Sweeney Todd
My Pick: Jacqueline Durran - Atonement
My Preference: Colleen Atwood - Sweeney Todd
Should've Been Nominated: Who ever designed the clothes in There Will Be Blood
I picked Todd because it is the most costumey (pretty sure that isn't a real word) of the nominees.
Best Score
Dario Marinelli - Atonement
Alberto Iglesias - The Kite Runner
James Newton Howard - Michael Clayton
Michael Giacchino - Ratatouille
Marco Beltrami - 3:10 to Yuma
My Pick: Dario Marinelli - Atonement
My Preference: Dario Marinelli - Atonement
Should've Been Nominated - Nick Cave and Warren Ellis - The Assassination of Jesse James by the Coward Robert Ford
Since the score from There Will Be Blood was disqualified I'll pick Atonement, just for the use of a typewriter as a musical instrument.
Best Original Song
"Falling Slowly" - Once
"Happy Working Song" - Enchanted
"Raise It Up" - August Rush
"So Close" - Enchanted
"That's How You Know" - Enchanted
My Pick: "Falling Slowly" - Once
My Preference: "Falling Slowly" - Once
Should've Been Nominated: "Guaranteed" - Into the Wild
Eddie Veddar really should have been nominated. Three songs from Enchanted? Really?
Best Editing
Christopher Rouse - The Bourne Ultimatum
Juliette Welfling - The Diving Bell and the Butterfly
Jay Cassidy - Into the Wild
Roderick Jaynes - No Country for Old Men
Dylan Tichenor - There Will Be Blood
My Pick: Christopher Rouse - The Bourne Ultimatum
My Preference: Roderick Jaynes - No Country for Old Men
Should've Been Nominated: No complaints
The Bourne Ultimatum has the showier editing but No Country for Old Men is absolutely perfectly paced.
Best Cinematography
Roger Deakins - The Assassination of Jesse of James by the Coward Robert Ford
Seamus McGarvey - Atonement
Janusz Kaminski - The Diving Bell and the Butterfly
Roger Deakins - No Country for Old Men
Robert Elswit - There Will Be Blood
My Pick: Robert Elswit - There Will Be Blood
My Preference: Roger Deakins - The Assassination of Jesse of James by the Coward Robert Ford
Should've Been Nominated: Eric Gautier - Into the Wild
To be honest, I will be happy no matter who wins this category. They are all deserving nominees.
Best Documentary Feature
No End in Sight
Operation Homecoming: Writing the War Experience
Sicko
Taxi to the Darkside
War/Dance
My Pick: No End in Sight
My Preference: No End in Sight
Should've Been Nominated: King of Kong
It's sad but I haven't seen any of these.
Best Animated Feature
Ratatouille
Persepolis
Surf's Up
My Pick: Ratatouille
My Prerence: Ratatouille
Should've Been Nominated: The Simpsons Movie
No contest.
Best Foreign Language Film
Beaufort (Israel)
Mongol (Kazakhstan)
12 (Russia)
The Counterfeitters (Austria)
Katyn (Poland)
My Pick: The Counterfeitters
My Preference: Mongol
Should've Been Nominated: The Diving Bell and the Butterfly
Diving Bell is the only foreign language film I can remember seeing.
Best Writing: Adapted Screenplay
Joel and Ethan Coen - No Country for Old Men
Paul Thomas Anderson - There Will Be Blood
Ronald Harwood - The Diving Bell and the Butterfly
Christopher Hampton - Atonement
Sarah Polley - Away from Her
My Pick: Joel and Ethan Coen - No Country for Old Men
My Preference: Paul Thomas Anderson - There Will Be Blood
Should've Been Nominated: Sean Penn - Into the Wild
The Coen's probably deserve this, it's a wonderful script and the only reason I picked PTA as my preference is that they have already won and Oscar for writing. Part of me thinks Ronald Harwood could sneak up and win this.
Best Original Screenplay
Diablo Cody - Juno
Tony Gilroy - Michael Clayton
Tamra Jenkins - The Savages
Brad Bird - Ratatouille
Nancy Oliver - Lars and the Real Girl
My Pick: Diablo Cody - Juno
My Preference: Diablo Cody - Juno
Should've Been Nominated: Seth Rogen and Evan Goldberg - Superbad
Cody has won everything else, what about a Ratatouille upset? Big fans of all of these (except The Savages, which I have yet to see).
Best Supporting Actress
Amy Ryan - Gone Baby Gone
Cate Blanchett - I'm Not There
Tilda Swinton - Michael Clayton
Saoirse Ronan - Atonement
Ruby Dee - American Gangster
My Pick: Tilda Swinton - Michael Clayton
My Preference: Amy Ryan - Gone Baby Gone
Should've Been Nominated: Emily Mortimer - Lars and the Real Girl
The most wide open of the major categories . I am picking this category for an upset because picking all the favorites is no fun. Also, this is the one category the Academy could show its love of Michael Clayton.
Best Supporting Actor
Javier Bardem - No Country for Old Men
Casey Affleck - The Assassination of Jesse James by the Coward Robert Ford
Tom Wilkinson - Michael Clayton
Hal Holbrook - Into the Wild
Phillip Seymour Hoffman - Charlie Wilson's War
My Pick: Javier Bardem - No Country for Old Men
My Preference: Casey Affleck - The Assassination of Jesse James by the Coward Robert Ford
Should've Been Nominated: No complaints
Any one of these deserve to win. I am also a huge fan of Holbrook's work in Into the Wild but Affleck made me look at him in a whole new light after seeing his film.
Best Actress
Marion Cotillard - La Vie en Rose
Julie Christie - Away from Her
Ellen Page - Juno
Laura Linney - The Savages
Cate Blanchett - Elizabeth: The Golden Age
My Pick: Julie Christie - Away from Her
My Preference: Ellen Page - Juno
Should've Been Nominated: Keira Knightly - Atonement
Christie has pretty much won everything so I don't see anything changing.
Best Actor
Daniel Day-Lewis - There Will Be Blood
George Clooney - Michael Clayton
Viggo Mortensen - Eastern Promises
Johnny Depp - Sweeney Todd
Tommy Lee Jones - In the Valley of Elah
My Pick: Daniel Day-Lewis - There Will Be Blood
My Preference: Daniel Day-Lewis - There Will Be Blood
Should've Been Nominated: Emile Hirsch - Into the Wild
He's finished.
Best Director
Joel and Ethan Coen - No Country for Old Men
Paul Thomas Anderson - There Will Be Blood
Julian Schnabel - The Diving Bell and the Butterfly
Tony Gilroy - Michael Clayton
Jason Reitman - Juno
My Pick: Joel and Ethan Coen - No Country for Old Men
My Preference: Joel and Ethan Coen - No Country for Old Men
Should've Been Nominated: Andrew Dominik - The Assassination of Jesse James by the Coward Robert Ford
Could Julian Schnabel upset here? I also wanted to pick PTA but I don't want it to seem like I'm not a fan of No Country. The Coen's are also due.
Best Picture
No Country for Old Men
There Will Be Blood
Juno
Michael Clayton
Atonement
My Pick: No Country for Old Men
My Preference: There Will Be Blood
Should've Been Nominated: Into the Wild
If anything but No Country wins it will be one of the biggest upsets in Oscar history. If it loses its because of the ending, sort of how Brokeback Mountain lost because of homophobia. If there is an upset I would pick it being Michael Clayton.
Saturday, February 23, 2008
Robert Altman Award
- Todd Haynes, Laura Rosenthal and the cast of I’m Not There
Best Director
- Julian Schnabel, The Diving Bell and the Butterfly
Best Male Lead
- Philip Seymour Hoffman, The Savages
Best Female Lead
- Ellen Page, Juno
Best Feature
- Juno
Best Supporting Male
- Chiwetel Ejiofor, Talk To Me
Bests First Screenplay
- Diablo Cody, Juno
Best First Feature
- The Lookout
Best Supporting Female
- Cate Blanchett
John Cassavetes Award
- August Evening
Best Foreign Film
- Once
Best Screenplay
- Tamara Jenkins, The Savages
Best Documentary
- Crazy Love
Best Cinematography
- Janusz Kaminski, The Diving Bell and the Butterfly
Friday, February 22, 2008
The story started earlier today when Collider was reporting that Spielberg dropped out of the project. In fact, Nikki Finke at Deadline Hollywood Daily and Entertainment Weekly's Hollywood Insider went to their own sources and got the real story, that Aaron Sorkin's script wasn't quite ready and that Spielberg was worried about a potential actors' strike in June to start production in April. The project isn't scrapped and Spielberg will continue developing the script with Sorkin, the creator of The West Wing and screenwriter of the recent Charlie Wilson's War, and producers Walter Parkes and Laurie MacDonald, but they didn't want to hold up the cast or crew from getting work in the spring in case SAG can't work out a new contract with AMPTP and choose to strike.
Nikki Finke's article also debunked the rumors that Will Smith would be playing Black Panther activist Bobby Seale, stating that only Sacha Baron Cohen had been cast as Abbie Hoffman and that the rest of the Chicago defendants would be played by unknowns to keep the costs down.
Universal Pictures and Hasbro have announced a six-year partnership that will produce at least four films based on the following games: Monopoly, Candy Land, Ouija, Battleship, Magic: The Gathering, and Stretch Armstrong. Aside from Ridely Scott's inexplicable involvement in the Monopoly project, very little is known about how the properties would be developed into feature films. So how about I pitch some ideas?
Ouija - A group of gullible teenagers attribute a string of recent murders to a ghost, only to find out it was just their asshole friend doing it. (Note: This should be made in Asia first, then remade here.)
Clue - A wealthy mansion-owner invites a group of similarly affluent guests over to watch Clue.
Battleship - A hotshot naval commander attempts a daring new formation of lining up his fleet in a row along the border. This fails, but the young leader still finds victory after the enemy can't find his fucking destroyer.
Monopoly - A light-hearted gathering erupts in argument; the film ends abruptly.
Stretch Armstrong - This movie (and toy) should never be made, but will star Jim Carrey and a lot of low-budget CGI.
Candy Land - A band of outcast teenagers find themselves in a colorful, candy-coated world where their movements are dictated by color. It turns out they're just really, really high.
Magic: The Gathering - An exciting battle between a powerful orc shaman and a dwarf paladin suddenly becomes dull when someone realizes it's a card game.
Any other/better ideas? It seems like the Magic movie should work in woeful virginity, but I'm not sure how.
Wednesday, February 20, 2008
This is how the book is described:
Suburban Seattle, the mid-1970s. We learn from the out-set that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested in any number of ways - from the hideously grotesque to the subtle (and concealable) - but once you've got it, that's it. There's not turning back.
As we inhabit the heads of several key characters - some kids who have it, some who don't, some who are about to get it - what unfolds isn't the expected battle to fight the plague, or bring heightened awareness to it , or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high school alienation itself - the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.
And then the murders start.
As hypnotically beautiful as it is horrifying, Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it- back when it wasn't exactly cool to be a hippie anymore, but Bowie was still just a little too weird.
To say nothing of sprouting horns and molting your skin...
Down below I said that the Coen Brothers scene at the gas station is the best written scene of last year, I will throw this out as being the best directed scene from any film in the past 12 months.
I promise to refrain from getting too sentimental, but I want to take a moment to say thanks to the Watchmen cast & crew. You have all been phenomenal. It has been quite an experience and I could not have done it without the hard work and determination of each and every one of you. A film adaptation of Watchmen has been in the works for almost 20 years and thanks to you, it is finally in the can. It has been such a pleasure to be surrounded by a team that is so dedicated and that has given 110% each and every day. I am extremely grateful for the level of attention to detail put forth by each department to capture all of the texture that makes Watchmen the incredibly unique property that it is. Although we still have a lot of work to do in post, the shoot has been an experience I will not soon forget!
Thank you,
Zack
P.S. While I'm in the process of thanking people, I figure it's a good time to say thanks to the Watchmen fans for all of their continued support. Since the crew got wrap gifts, I figured you deserved a little something as well. So, to bring a little closure to the previous "Storyboard" blog, I've included a frame from the film that shows what it looks like when it all comes together. Thanks!
BEST ACTOR
Jack Nicholson: As Good As It Gets (Oscar winner)
Matt Damon: Good Will Hunting
Robert Duvall: The Apostle
Peter Fonda: Ulee's Gold
Dustin Hoffman: Wag the Dog
Duvall's performance is one of my favorite of all time. He throws himself head first into this movie and never looks back until the very last credit has appeared onscreen. It's hard to go against Jack, since he is one of my favorites but Duvall reaches another level that is just above all the other actors.
BEST SUPPORTING ACTOR
Robin Williams: Good Will Hunting (Oscar winner)
Robert Forster: Jackie Brown
Anthony Hopkins: Amistad
Greg Kinnear: As Good as It Gets
Burt Reynolds: Boogie Nights
All of these performances are good and I am a big fan of Robin Williams' work in Good Will Hunting but Reynolds probably deserves it more. As the matriarch of a dysfunctional family he holds the entire film together and it about the only one in the film that can see the whole picture, not just what is in front of their eyes.
BEST ACTRESS
Helen Hunt: As Good as It Gets (Oscar winner)
Helena Bonham Carter: The Wings of the Dove
Julie Christie: Afterglow
Judi Dench: Mrs. Brown
Kate Winslet: Titanic
I'm agreeing with Oscar here, for no other reason than I haven't seen two of these performances and I can't really remember Julie Christie in Afterglow. Not because she was bad but because I think the last time I saw that movie was about 8 years ago.
BEST SUPPORTING ACTRESS
Kim Basinger: L.A. Confidential (Oscar winner)
Joan Cusack: In & Out
Minnie Driver: Good Will Hunting
Julianne Moore: Boogie Nights
Gloria Stuart: Titanic
There is one moment I absolutely love from Good Will Hunting. It is when Minnie Driver and Matt Damon are laying in bed and she tells him she says "I can be in the NBA. I'm tall, I like to wear shorts. Hook! Hook! Dunk! Dunk! Baby, I'm all about three points." That isn't enough to get my vote though. I think I am going with Moore here because that is my favorite film out of the five nominees.
BEST PICTURE
Titanic (Oscar winner)
As Good as It Gets
The Full Monty
Good Will Hunting
L.A. Confidential
Like I said above, Titanic is not my favorite movie of this year (Hell, it is fourth out of just those five nominees) but it is hard to not vote for it when it accomplished so much and was such an enormous hit. When you go back and watch it, its really a great film. Sure there is the clunky dialogue and simple story but those final minutes as the ship is sinking into the ocean more than make up for any shortcomings. The film also has the absolute perfect ending for this story.
I hope she is better here than in Dreamgirls, which this sounds similar to. Watching that film again Beyonce is the weak acting link, seemingly surrounded by much more talented screen presences. While I'm not the biggest fan of Jenifer Hudson's performance at least she shows a multitude of emotions, Beyonce just seems to be there doing nothing.
No Country for Old Men-Maybe the most perfectly written scene all year.
There Will Be Blood-One of my favorite scenes in my favorite movie of last year.
Juno-The opening credits, the best of any last year.
Michael Clayton-There is a great moment right after this where Tom Wilkinson offers George Clooney a piece of bread.
Atonement-The first part of that amazing tracking shot.
Tuesday, February 19, 2008
"That was a very early test with the sole purpose of just getting some footage to Ben our vfx (visual effects) supervisor to see if our vfx plan for the faces would work," Jonze said. "The clip doesn't look or feel anything like the movie, the Wild Thing suit is a very early cringy prototype, and the boy is a friend of ours Griffin who we had used in a Yeah Yeah Yeahs video we shot a few weeks before. We love him, but he is not in the actually film...Oh and that is not a wolf suit, its a lamb suit we bought on the internet."
Here's a look at Scott Bowles' piece at USA Today:
Not that many Marfans have seen either film. The closest theater is in Alpine, 26 miles east. The tiny Rangra Theater, however, does have two screens. One is showing No Country, the other Blood. Neither sells out much.Here is a link to the AP story, via Yahoo Movies.
"I thought they were OK," retired rancher Bill Owens, 61, says over an enormous dill pickle, a favorite theater concession. "I hope they win (Oscars) because it'll be good for Marfa. A little artsy-fartsy, though. They weren't no Giant, I'll tell you that."
The clip also sort of lost me at the end, when it is revealed to be dedicated to Heath Ledger.
Toshiba announced on Tuesday (Feb. 19) that it is halting production on its HD DVD players and recorders, ceding the market to Sony's Blu-Ray high definition format. Toshiba said there was no longer any chance of HD DVD winning out between the two formats, especially after Time Warner announced last month that it would side with Blu-ray and Best Buy and Wal-Mart's recent decisions to only sell Sony's format. Toshiba said it sold about one million HD DVD players, including players that can be attached to Microsoft's Xbox 360 console, compared to Blu-ray's 6.3 million sold, including Sony's PlayStation 3 units, which can play the format. Sony's victory can help the company erase memories of its loss in the videocassette war of the 1980s, when its Betamax format lost out to VHS.
Monday, February 18, 2008
You have developed a very distinct signature style of wearing ascots. How did that start?
They are not ascots. An ascot is usually silk and an English thing. I'm just wearing a bandanna; it's not so fancy. Most of the time they are cotton and different sizes. It started when I was shooting The Last Picture Show in Texas, and I liked wearing it because it made me feel secure. I don't know why. But it feels cozy, and I kept wearing it.
Sunday, February 17, 2008
I finally saw the film Step Up. It was pretty intense. If by intense I mean terrible. And by terrible I mean awesome. If by that, it is really awesome.
Again, it's in my favorite vein of movies where someone has to choose between _________ and jail. In this case, it was dancing. Dancing or jail. I wish these were the sort of situations that presented themselves to me on a daily basis.
The premise of this film is that Tyler (the main character) and his homeboys Mac and Skinny leave a party and break into the Maryland School of the Arts. Mac and Skinny get away, while Tyler gets caught. By the judge, Tyler has to do community service at the scene of the crime. This gives him ample opportunity to demonstrate his dance skillz on the hood of a stolen car courtesy of Mac and Skinny after work. This grabs the attention of dance aficionado Nora, who is in desperate need of a dance partner for the Senior Showcase.
Interesting things I have to point out:
-Skinny has a scrolling marquee belt that says "SKINNY." I believe that Skinny is 12 years old.
-These guys hug. A lot. Mac and Tyler (and probably Skinny as well, but his character is really stupid so I don't remember half the time he was on screen) play basketball. Street basketball. You know it must be intense. So intense that they hug after every basket. It got to the point where they hugged more than me and my girlfriends, and we hug a lot.
-Nora and Tyler dance on a roof of some industrial building. You know, because that's where she used to go as a kid. Now seriously, who lets their kids hang out in the industrial district of Baltimore? That's really not ok.
-Eventually Tyler quits the dancing because Nora's partner comes back. He does, however, show up five minutes before her Senior Showcase and tell her he's ready to do it. They go with "the old routine."
-After all this (or maybe before some of this, who knows) 12 year old Skinny steals PJ's Escalade. PJ shoots him, and he dies.
That's why it's not a good idea to steal PJ's Escalade.
EDIT: Best quote of the movie:
Tyler: I know about having nothing. It sucks.
UPDATE: There is part of me starting to think this actually isn't from the movie. I have no idea and there is no way to know for sure something feels a little off. I don't think this is fake by any means, it looks way too good, way too professional to be that (right?) but something still felt off. Then I saw this photo again, one that was released a while back and I noticed something. The costume in this photo and the one in the video are quite a bit different. Not only the shade on the one in the photo but also notice the crown worn there. Then again, maybe this photo is from a test and not the final costume. I am probably putting too much effort into this but the NBA All Star game is a little boring and I have nothing else to do.
UPDATE 2: I have watched this about five more times now. There is no way this is from a test, it looks way too great and there are too many angles and set ups for this to be a simple test. Of course, whatever this is it is still very early.
UPDATE 3: Maybe I was right with my initial thoughts, then again this just proves more that I know absolutely nothing. Film Ick (where I originally saw the video) is now reporting that this footage is form a test. What is says on their webiste:
[EDIT: I'm now told this clip was a test shot in the summer of 2005 in Griffith Park. And that's not the final Max, but Griffin Armstorff who improvised everything you see him do here. Presumably, Benicio Del Toro was then given dialogue to match the improv lines, but it's also fairly clear that the basic scene outline was probably preplanned first of all. On top of everything else, I think we can expect the finished film to look even better than this does]Then again, Moriarty over at AICN has actually seen the film and offers more insight on the clip and says this looks like a real clip with actual work done to it.
Here are the ADG guild winners for Best Production Design for a Feature Film. Not really the most interesting of awards, just an excuse to post some pictures from the winners.
Period Film
- “There Will Be Blood” PD: Jack Fisk
Fantasy Film
- “The Golden Compass” PD: Dennis Gassner
Contemporary Film
- “No Country For Old Men” PD: Jess Gonchor